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Texturefects

2041 Swanson Ave

Lake Havasu City, AZ. 86403

Phone/Fax 520-453-2400

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Texturefects

2041 Swanson Ave

Lake Havasu City, AZ. 86403

Phone/Fax 520-453-2400

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Texturefects

2041 Swanson Ave

Lake Havasu City, AZ. 86403

Phone/Fax 520-453-2400

 

 

 

 

  E x p e r t  A d v i c e

We are constantly working to improve our products, and we keep your comments and questions in mind.

  Q: What is a Texture Screen?

  • A: The Texture Screen is nothing new. They have been around for over fifty years and have been used by some of the finest photographers in the world . The Texture Screen is a film that is used in the darkroom . It has a texture printed on it and is placed over the paper (top of the paper screen ) or sandwiched with the negative (that is placed in contact with the negative) during the exposure.
  • Q: When should I use a sandwich screen and when a top of the paper screen?
  • A: For exhibition quality prints use the top of the paper screen. If you are only interested in cheap machine made prints that are made on an automated printer, and the top of paper screen cannot be installed in the printer then you must use the sandwich screen with the negative.
  • Q: How does a Texture Screen differ from a litho screen?
  • A: Even though Texture Screens are used in the same maner as a litho screen. The difference is that a litho screen prints a dot pattern and the Texture Screen will print a continuous tone of one of many different patterns.
  • Q: How do I use a Texture Screen?
  • A: The top of the paper Texture Screen is placed directly over the top of the paper on the enlarger easel. The sandwich screen is usually taped to the negative and then placed into a negative carrier and printed in the usual manner.
  • Q: Can I use a Texture Screen in a black and white as well as color darkroom?
  • A. YES! Texture Screens were originally made for printing black and white. When color film was invented the original black and white screens were worked over to take out the neutral density so they would print with the color films. Today they are very easy to use in color as well as Black and White.
  • Q: What is the difference between quality of the sandwich versus the top of paper patterns?
  • A: With a sandwich Texture Screen, (135, 6x6cm, and 6x9 cm) the screen is placed in contact with the negative, as you enlarge the photographic negative you are also enlarging the pattern. Therefore you need to be very careful how much you enlarge the image. Too much magnification will make the pattern too large and bold. With a top of the paper texture screen (8x10", 11x14", 16x20", and 20x24") the pattern lays directly on top of the paper, and you maintain a pattern that is very fine lined and delicate.
  • Q: What changes do I have to make in the darkroom to use a Texture Screen?
  • A: The Texture Screens we make are neutral density so there is no color shift when using them in the darkroom. You will need to add some exposure because in using a Texture Screen you are adding some neutral density.
  • Q: How long will a Texture Screen last?
  • A: To answer this question we must ask "How long will your negatives last?" If you drop your negatives on the floor and step on them, spill chemicals on them or possibly fold a corner or somehow scratch the emulsion you had might as well drop them in the waste paper basket because you have rendered them worthless. If you treat your screen in a likewise manner you will soon be ordering a new screen.. If you use reasonable care of you screen you could possibly use it for the rest of your life. We have customers that have used the same screen for over 40 years.
  • Q: How do I store a Texture Screen?
  • A: We try hard to save you money by NOT having a fancy package. We suggest you store them in an extra paper box with paper between the screens.
  • Q: What additional special effects can I get using a Texture Screen?
  • A: Every major print competition has winning prints that have been made with a Texture Screen. Over 95% of these prints have been made with a top of the paper screen. If you look closely, you will find some prints that have a very delicate texture. This is accomplished by turning the enlarger off part way through the exposure and removing the screen and then continuing the exposure without the screen. Less exposure on the pattern is less effect. (You CANNOT do this with a sandwich screen.) Another technique is to diffuse the portrait in the enlarger. If you try and diffuse the sandwich screen it will no longer remain sharp. In diffusing the top of the paper screen, the screen image stays sharp and only the photographic image is softened.
  • Q: What else will a Texture Screen do?
  • A: If you have a portrait that is slightly out of focus, when you use a top of the paper screen it will give the illusion of making the photograph sharp. This is because the screen gives your eye something to focus on and tends to sharpen the image.
  • Q: Can I combine more than one pattern?
  • A: Yes, you can get some very interesting, very personalized looks by combining more than one pattern. Just place a second screen directly over the first and increase your exposure to cover the increase in added density. A favorite combinations is, the Fresco and the Cracquelure. but you can come up with many combinations that look wonderful.
  • Q: Will I make more money using Texture Screen ?
  • A: Yes, the use of a Texture Screen on a photograph along with artwork, retouching, mounting and framing should make the Texture Screen print one of the finest you have to offer your customers and so should also be a premium priced item in your business.


"Food For Thought"

Texture Screens are one of the easiest ways to upgrade your pricing. Yes, it is true that many photographers charge more just for using a Texture Screen.. It can be the easiest way for you to make money.

As, "Professional Photographers" we have devoted a lot of time to becoming "professional". We have a lot of money invested for cameras, lenses, and the tools of our trade. As professional's let's not ever forget that it is not cameras that make beautiful images but the photographer. He is the one that has the original idea and then brings it together to make the image.

Every photographer must, in their own mind decide just how "professional" they wish to be. Will you take your film to the discount store for processing, do it yourself, or send it to a professional lab? The decisions we make in finishing, retouching, and packaging will all make a difference when our work is delivered to our customer.

With all the decisions to make, you should also think about using a Texture Screen . Ask yourself, "is this an image that will be enhanced by using a Texture Screen? If the answer is yes, then you need to decide how much more to charge for adding a screen to the photograph.

Using a texture screen is only one tool in making a work of art. If you use a Texture Screen, don't stop there. Do your retouching, dye and artwork, canvas mounting, or plastic laminating and as a finish...... how about adding some brush stokes? Don't forget, when you use Texture Screens they are only one of the tools in creating a beautiful photograph.

Texture Screens are.............

The Art Part Of Fine Art Photography!